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Welcome to Integral Vocalist!

Clif WareIn general terms, the integral vocalist is one who earnestly strives to expand his/her conscious mind-body awareness in all aspects of life, a lifelong process that involves ongoing development in mastering a variety of life issues associated with self (I), society (WE), and nature or the physical world (IT and/or ITs). These four areas (I, WE, IT, ITs), which may be viewed as quadrants (levels, stages, and types of human development), are discussed more fully on this link.

In general terms, the integral vocalist strives to:

  • Maintain a consistently well-balanced approach to life—in both personal and career-related areas

  • Develop an all-inclusive, worldcentric worldview founded on critical thinking, a profound sense of gratitude, and an intense curiosity about a wide range of central life issues, with the result of gaining greater knowledge and understanding

  • Discover his/her “authentic voice”, by working consistently at developing a vocal production based on efficient functioning, and capable of communicating music, text, and normal speech with clear intent and genuine expressivity

  • Share willingly and selflessly his/her combined talents and skills with others as a collaborative vocal performer, inspired and guided by the primary goal of honestly interpreting and communicating the musical/textual works of creative artists for the psycho-emotional and aesthetic benefit of all listening and observing persons—and for the greater good of society at large

  • Exemplify the highest standards of moral, ethical, and civil behavior as a model world citizen

In addition, model vocalists are expected to make a lasting commitment to explore and master a wide range of essential multifaceted skills, including:

  • A liberal education to gain information and insights into a wide variety of fields, such as: history (U.S. and world); languages; philosophy; psychology; sociology; health-related fields (physical education, nutrition); and sciences that address voice-related information, including acoustics, human anatomy and physiology

  • Efficient voice production, including techniques, methods, and processes that enhance learning, practice, and implementation of skills

  • Solid musicianship, including a thorough grounding in music fundamentals (theory), functional keyboard skills, facility in reading music, and an understanding of the most prominent vocal music styles (in both classical and popular genres)

  • Language fluency, including a knowledge of poetic styles, a firm grounding in English diction, plus—for classical singers—correct pronunciation of several foreign languages (Italian, French, German, Spanish, et al)

  • Expressive performance, including graceful body movement, an engaging stage personality, ability to interpret a wide range of textual meanings, and to communicate with appropriate emotional expression

This list is by no means exhaustive, but should give a general idea of what knowledge and skills are required of serious-minded vocalists. For more detailed information, please see the publications link, which provides links to my three books on singing, notably The Singer’s Life: Goals and Roles, which addresses both personal and professional issues. In addition, you may download free of charge two handouts I use for most of my guest artist-teacher presentations:

I hope you find this information helpful to you in your singing endeavors. Additional voice-related information is available on the integral artist/teacher link.  If I can be of any assistance, please feel free to contact me.

Voice Publications for Singers

Classical Singer Magazine

 Journal of Singing
 

 

 
 
Copyright 2008 Clifton Ware. All rights Reserved.
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